![a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format](/images/thumbs/dd4616be77d55d97_74ac9f42.webp)
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format
![a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by](/images/thumbs/66082e1a1fbee0ed_46e23aaf.webp)
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing alien | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien attacking someone | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a man being ripped apart by an alien, red fluid spurting | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien 3 ( 1 9 9 2 ) by david fincher showing bald michael biehn, sci - fi and supernatural horror, uneasy and uncanny atmosphere, shot on celluloid with panavision cameras, panavision lenses | 3 5 mm film negative width | anamorphic projection format
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a people running from a giger xenomorph. sci - fi and supernatural horror. uneasy and uncanny atmosphere. shot on celluloid with panavision cameras. panavision lenses. 3 5 mm film negative width. anamorphic projection format
a wide angle movie still from alien 5 ( 2 0 1 5 ) by neil blomkamp showing michael biehn as solid snake wearing a bandanna and eye patch, sci - fi military and supernatural horror, uneasy and uncanny atmosphere, shot on celluloid with panavision cameras, panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crow
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a people on an alien planet standing in front of a weird spaceship. sci - fi and supernatural horror. uneasy and uncanny atmosphere. shot on celluloid with panavision cameras. panavision lenses. 3 5 mm film negative width. anamorphic projection format
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph from the alien movie looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph from the alien movie looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | practical effects
a wide angle movie still from the thing ( 1 9 8 2 ) by john carpenter showing the halloween scene, sci - fi and horror, uneasy and uncanny atmosphere, full color, shot on celluloid, panavision lenses, 3 5 mm film, anamorphic, oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a screaming woman with an chestburster coming out of her chest | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry
a wide angle movie still from the thing ( 1 9 8 2 ) by john carpenter showing the decorating for christmas scene, sci - fi and horror, uneasy and uncanny atmosphere, shot on celluloid, panavision lenses, 3 5 mm film, anamorphic, oscar winning practical effects
a wide angle movie still from metal gear solid and alien 5 ( 2 0 1 5 ) by neil blomkamp showing michael biehn as solid snake wearing a bandanna and eye patch, sci - fi military and supernatural horror, uneasy and uncanny atmosphere, shot on celluloid with panavision cameras, panavision lenses | 3 5 mm film negative width | anamorphic projection format |
a wide angle movie still from the thing ( 1 9 8 2 ) by john carpenter showing bathroom transformation scene, sci - fi and horror, uneasy and uncanny atmosphere, shot on celluloid, panavision lenses, 3 5 mm film, anamorphic, oscar winning practical effects
a wide angle movie still from lord of the rings showing emma watson, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects
a wide angle movie still from the thing ( 1 9 8 2 ) by john carpenter showing macready transformation scene, sci - fi and horror, uneasy and uncanny atmosphere, shot on celluloid, panavision lenses, 3 5 mm film, anamorphic, oscar winning practical effects
a wide angle movie still of a beach on an alien planet with floating rocks, multiple suns, beautiful shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects
a wide angle movie still from braveheart 1 9 9 5 showing mel gibson driving a car, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects
a wide angle movie still from the matrix 1 9 9 9 showing leonardo dicaprio fighting neo on the beach, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects
