sunlight shining through bourbon decanters in a window, high contrast, film grain, dust motes in the air
sunlight shining through bourbon decanters full of whiskey in a window, high ...
🎨 Related images (24)
on the set of the shining
photoreal cinematography of jack torrance played by jack nicholson holding a croquet mallet from stanley kubrick's film the shining, inside the elstree studios soundstage set for the overlook hotel shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a kinoptik 9. 8 mm lens
cinematography of the overlook hotel from stanley kubrick's 1 9 8 0 film the shining, inside the soundstage set for the overlook hotel interior shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a wide kinoptik tegea 9. 8 mm lens. with golden ratio composition
photoreal wide cinematography of jack torrance played by jack nicholson wielding a croquet mallet from stanley kubrick's film the shining, inside the elstree studios soundstage set for the overlook hotel shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 1 8 mm lens
photoreal medium cinematography of jack torrance played by jack nicholson holding a croquet mallet from stanley kubrick's film the shining, inside the elstree studios soundstage set for the overlook hotel shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a kinoptik 9. 8 mm wide lens
cinematography of the overlook hotel's lobby from stanley kubrick's 1 9 8 0 film the shining, inside the soundstage set for the overlook hotel interior shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a 6 5 mm cooke panchro macro lens with golden ratio composition
Realistic whiskey glass filled with whiskey in a mans hand
photoreal cinematography of jack torrance played by jack nicholson holding a croquet mallet from stanley kubrick's film the shining, inside the elstree studios soundstage set for the overlook hotel shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a kinoptik tegea 9. 8 mm wide lens
cinematography of jack torrence walking with an axe from stanley kubrick's 1 9 8 0 film the shining, inside the soundstage set for the overlook hotel interior shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a 6 5 mm cooke panchro macro lens with golden ratio composition
film grain
photoreal medium cinematography of shelly duvall playing wendy torrance from stanley kubrick's film the shining, bartending inside the elstree studios soundstage set for the overlook hotel lobby shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 1 8 mm lens
cinematography of the overlook hotel's lobby from stanley kubrick's 1 9 8 0 film the shining, inside the soundstage set for the overlook hotel interior shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a wide kinoptik tegea 9. 8 mm lens. with golden ratio composition
photoreal close up cinematography of jack torrance played by jack nicholson holding a croquet mallet from stanley kubrick's film the shining, inside the elstree studios soundstage set for the overlook hotel shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a kinoptik 9. 8 mm lens
photoreal close up cinematography of jack torrance played by jack nicholson wielding a croquet mallet from stanley kubrick's film the shining, inside the elstree studios soundstage set for the overlook hotel shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 6 5 mm macro lens
photorealistic ultra wide cinematography of a creepy 1 9 2 0's halloween party inside the elstree studios set for the shining's overlook hotel shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a wide kinoptik tegea 9. 8 mm lens. with golden ratio composition
photoreal cinematography of joe turkel playing lloyd the bar tender from stanley kubrick's film the shining, bartending inside the elstree studios soundstage set for the overlook hotel goldroom bar shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 6 5 mm macro lens
photoreal medium cinematography of shelly duvall playing wendy torrance from stanley kubrick's film the shining, bartending inside the elstree studios soundstage set for the overlook hotel lobby shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 6 5 mm macro lens
photoreal close up cinematography of shelly duvall playing wendy torrance from stanley kubrick's film the shining, bartending inside the elstree studios soundstage set for the overlook hotel lobby shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 1 8 mm lens
a photo of a fedora, a toy retro sci-fi ray gun, a rocks glass containing some whiskey, a bottle of bourbon on its side, spilled whiskey on an old bar, ultra realistic.
detailed photorealistic cinematography of jack nicholson playing jack torrence with axe from stanley kubrick's 1 9 8 0 film the shining, inside the elstree studios soundstage set for the overlook hotel interior shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a 6 5 mm cooke panchro macro lens
photoreal medium cinematography of joe turkel playing lloyd the bar tender from stanley kubrick's film the shining, bartending inside the elstree studios soundstage set for the overlook hotel goldroom bar shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 6 5 mm macro lens
teleportation machine in a dimly lit room, light shining from the machine and illuminating the dust particles in the air by goro fujita
photoreal cinematography of joe turkel in red tux playing lloyd the bar tender from stanley kubrick's film the shining, bartending inside the elstree studios soundstage set for the overlook hotel goldroom bar shot on 3 5 mm eastman 5 2 4 7 film by the shining cinematographer john alcott shot on a cooke panchro 6 5 mm macro lens